October 17, 2005

  It’s been a disappointing few years, T-Boners.  I remember going into Sam
Goody or any other music store weekly and awaiting the newest album from
my favorite bands or the newest up and coming band.  Sadly, this was over
6 years ago.  You might come back to me with some backlash saying that
Napster or whatever online music downloading sites out there are to blame.  
I disagree.  It’s true that I used Napster, but I didn’t depend on it.  I’ll get into
that later.

The last album I think I heavily anticipated coming to the store was
Metallica's
ReLoad.  I, like every other Metallica fan, had heavily anticipated
the release of
Load.  It had been over 5 years since the greatest band
today had released an album.  I showed up early in the morning to get my
copy and it was already nearly sold out.  












I was disappointed in the album overall, but there were some okay songs on
it.  I heard that they had extra songs left over that they were looking to make
a second album out of.  And on this album, they were going to put out a
sequel to one of their greatest songs:  The Unforgiven.  About a year later, I
purchased
ReLoad and was even more disappointed in it than I was with
Load.  I did, however, like Unforgiven II.  After that, it seemed like most of my
favorite bands were either breaking up, starting to suck, or putting out
albums with only one or two good songs, surrounded by crap.

That’s not to say I haven’t bought an album since
ReLoad.  I just haven’t
anticipated buying one.  I can’t remember the last time I actually went into a
music store with something in mind.  Once again, I don’t blame this on music
download sites.  I think it’s just because bands these days suck.  I hear
these bands like Good Charlotte, All American Rejects, Hoobastank, and
many others.  Guess what…it all sounds the same.  It sounds like a punk
band, but not Green Day punk.  It’s not Sex Pistols punk.  It’s not even Blink
182 punk.  It’s this whiny punk and I can’t stand it.  To make matters worse,
they are unoriginal.  They take old songs from the 80’s, or even before,
speed them up, and turn them into whiny punk songs.  To these bands,
you've made your money, now go away.  You can’t honestly think you are
contributing to the world of music.  By the grace of God, nobody will care in
10 years if you aren’t out making records.  

People have accused me of being somewhat close-minded when it comes to
music.  I would disagree.  I’m allowed to play music at work.  The office is
pretty liberal.  So long as I don’t offend anyone, I can listen to whatever I
want.  Nobody is really offended by anything, so I DO listen to whatever I
want.  My boss has been surprised at a few of my musical choices.  Here are
a few things I’ve been caught listening to over the past few weeks:  The
Beatles, Elvis, Elton John, Stevie Wonder, Dwight Yoakam, Hank Williams,
Sr., and Billy Joel.  








He’s surprised that I like the older style of music.  Then again, another
coworker has caught me listening to 2 Live Crew, NWA, and the Fat Boys.  
So you can see I’m fairly versatile.  I don’t like the rap/hip hop style that is
played today.  I liked it when rap was funny.  I liked country when it was
simple.  And I like rock when it’s hard.  Not that I don’t listen to Monster
Ballads here and there, but rock was meant to be loud and heavy, not whiny.

I don’t imagine that we will have the explosion of great music like we did
when I was in middle school.  That was when a slew of music erupted from
Seattle from a bunch of “no name” bands like Nirvana, Pearl Jam,
Soundgarden, and Alice in Chains.  Pearl Jam is the only band that is still
together from that group, and they suck now.  Don’t mistake Audioslave for
Soundgarden or Rage Against the Machine.  It might be a combination of the
two, but it’s not the same.  I like a few Audioslave songs, but not enough to
purchase the album.  The radio overplaying the good songs will be just fine.  

What will it take for me to really anticipate a group’s upcoming album?  I
really don’t know.  The last 2 albums I picked up were things I just noticed
while I was at either Walmart or Best Buy, Rascal Flatts
Feels Like Today
and Korn
Greatest Hits.  Someone got me System of a Down Mesmerize
before I could buy it.  










I figure if a band puts together an album like the one’s I just mentioned, I
would eagerly anticipate it.  Until then, the music stores can keep their CDs
and I’ll hold onto my $20.  


Until next time, throw up a “T” for…

T-BONE!





*I didn’t even bash DMB this time.  What the hell's wrong with me?*


Where Has the Music Gone?
The Bone Pile
Metallica is an extremely successful
American heavy metal band that has
been active since the early 1980s.

After building a loyal following
through its role in the development of
thrash metal in the 1980s, the band
successfully broadened its audience
in the early 1990s to include many
new fans. Accordingly, the band
stood as the most commercially
visible example of the metal genre
for most of that decade. In contrast,
Metallica's vastly increased
commercial success was
accompanied by stylistic changes
that fostered accusations of "selling
out" by some long-time fans though
picking up many new fans.

In 2003 Metallica released St. Anger,
a collection of the most aggressive
music they had written in a decade,
to deeply divided critical reviews and
comparatively mediocre sales figures.
Nevertheless, extensive and
successful tours throughout 2003 and
2004 reinforced the band's reputation
as a top-notch live act.
Dwight David Yoakam (born
October 23, 1956) is an American
musician, songwriter, and actor.

Yoakam was born in Pikeville,
Kentucky, and raised in Columbus,
Ohio, growing up with his mother and
step-father, who had a white collar
job in the automotive industry. He
graduated from Columbus's Northland
High School on June 9, 1974. During
his high school years, he excelled in
both music and drama, regularly
securing the lead role in school plays,
such as Charlie in the stage version of
Flowers for Algernon. Outside of
school, Yoakam sang and played
guitar with local garage bands, and
frequently entertained his friends and
classmates as an amateur comedian,
impersonating politicians and other
celebrities, such as Richard Nixon,
who, at that time, was heavily
embroiled in the Watergate
controversy.

Yoakam briefly attended The Ohio
State University, but dropped out and
moved to Nashville in the late '70s
with the intent of becoming a
recording artist. When he began his
career, Nashville was oriented towards
pop Urban Cowboy music, and
Yoakam's brand of Bakersfield honky
tonk was not considered marketable.
He began playing live in the Los
Angeles area, performing with punk
bands like Dead Kennedys, Butthole
Surfers and X; and roots-rock bands
The Blasters and Los Lobos.

Yoakam debuted with the college
radio staple A Town South of
Bakersfield in 1984 (1984 in music).
His debut LP was 1986's Guitars,
Cadillacs, Etc., Etc. and it instantly
launched his career (1986 in music).
"Honky Tonk Man" (Johnny Horton)
and "Guitars, Cadillacs" were hit
singles. The follow-up LP, Hillbilly
Deluxe, was just as successful. His
third LP, Buenas Noches from a
Lonely Room, included his first #1, a
duet with Buck Owens, "Streets of
Bakersfield". 1990's (1990 in music) If
There Was a Way was another
best-seller.

Yoakam's song Readin', Writin', and
Route 23 pays tribute to his childhood
move from Kentucky, and is titled
after a local expression describing the
route that rural Kentuckians need to
take to find a job. (U.S. Highway 23
runs north from Kentucky through
Columbus and Toledo, and through
the automotive centers of Michigan.)

Yoakam has also taken some acting
roles, most notably as the abusive
alcoholic Doyle in Billy Bob
Thornton's Sling Blade (1996) and as
a psychotic killer in 2002's Panic
Room. He has also appeared in
Southern California live theater,
combining his acting talents with the
talents of director Peter Fonda.

Having diverged from pop-icon status
in country-western fare, Yoakam is
today more likely to be identified as
having an older, or more traditional
style, and mentioned with his
contemporaries such as George
Strait. But along with his bluegrass
and honky-tonk roots, Yoakam has
written or covered many Elvis
Presley-style rockabilly songs,
including his popular covers of
Queen's "Crazy Little Thing Called
Love" in 1999 and Presley's
"Suspicious Minds." He even
recorded a cover of the Clash's "Train
In Vain" in 1997.

Yoakam is currently touring in support
of his new album Blame the Vain.